A Devil to be Humbled, not Destroyed: Patrül Rinpoche’s Text on Diagnosing and Avoiding Maras, Part IV

A detail from a mural depicting the Buddha conquering Mara, by Thai artist Pang Chinasai, apparently located at the Aruna Ratanagiri or Harnham Buddhist Monastery, Northumberland, United Kingdom. Here a demon in Mara’s army offers the Buddha a flower, reverently. See here for more details about the painting and here and here for more information about this beautiful Theravadan monastery on the border of England and Scotland.

We arrive now at the fourth and final Part of this series on Patrül Rinpoche’s nineteenth century reworking of a twelfth century text by Kadampa master Chegompa, which explains how Buddhist practitioners can identify and respond to the influence of Mara or maras in their spiritual practice and lives (see here, here, and here for Parts I, II, and III respectively). In this concluding section of the text, Chegompa outlines the methods that Buddhist practitioners can use to treat and prevent mara-obstacles (as in previous posts, I have alternated between translating dü བདུད་ as singular ‘Mara’ with a capital M and as lower case m ‘mara’ in the singular or ‘maras’ in the plural. I’ve also translated the term neljor, nenjor རྣལ་འབྱོར་ as ‘yogic practitioner/s’ or ‘yogis and yoginis’ even thought this term is not explicitly feminized in Chegompa’s text. See Part I for a brief introduction to the Buddhist concept of Mara/maras).

The good news about Chegompa’s recommendations for treating and preventing mara-obstacles is that they are already fundamental elements of Buddhist spiritual practice. Some of the most interesting aspects of this closing section are also the reflections Chegompa offers on the fact that maras themselves are not the problem. What ultimately matters is how practitioners of tantric yoga orient themselves to ‘demonic’ adversaries and obstacles more broadly. As before, let’s dive into the text and I’ll share some observations at the end.

Continue reading →

Blessed But Badly – The Causes and Signs of Mara Influence: Patrül Rinpoche’s Text on Diagnosing and Avoiding Maras, Part III

‘The Earth is My Witness’. A rather bronzed Keanu Reeves as the Buddha unmasking Mara in the 1993 Bernardo Bertolucci film ‘Little Buddha’.

In Part III of Patrül Rinpoche and Chegompa’s text on maras, the discussion shifts to behaviours and situations which enable maras and their influence to enter into your life and being and to the various signs which indicate that the maras have you in their hold. Let’s dive right in (as before, I’ll share some brief reflections at the end of the translation. For Part I and II of the text see here and here, respectively).

Continue reading →

Devils Outside, Devils Inside, Devils of the View: Patrül Rinpoche’s Text on Diagnosing and Avoiding Maras, Part II

Painting of maras attacking the Buddha, by Balinese artist Pande Ketut Bawa

Here is part II of a multi-part series in which I share a preliminary translation of a text on Maras – ‘demonic’ obstacles on the spiritual path – by the nineteenth century Tibetan Buddhist teacher Patrül Rinpoche. As I mentioned in Part I, this text is Patrül’s reworking of an earlier text by the twelfth century Kadampa master Chegompa (see Part I for more details). In the opening section of the text, Chegompa describes the Four General Maras – these maras are ‘general’ because they are overarching, they encompass the obstacles and challenges of samsaric broadly. In this next Part, Chegom outlines three levels of specific or particular maras – chedrak ki dü, བྱེ་བྲག་གི་བདུད་ – namely, outer level maras, inner level maras, and secret level maras. There are six types for each level, making eighteen specific maras in total. The scheme of ‘outer, inner, secret’ – chi nang sang sum, ཕྱི་ནང་གསང་གསུམ་ in Tibetan – will be familiar to many readers. It is an ubiquitous framework in Tibetan Buddhism and charts a spectrum from other beings and gross, external, objective reality on one end, to more internal, intangible, personal, and subjective experiences and orientations on the other. Let’s dive right into the translation (I’ll include some reflections on the section at the end!).

Continue reading →

Four Common Devils: Patrül Rinpoche’s Text on Diagnosing and Avoiding Maras, Part I

A nineteenth century tangka painting of the Buddha conquering maras, housed at Rubin Museum of Himalayan Art, purchased from the Collection of Navin Kumar, New York. See here for more details.

In the interest of starting to post here a bit more regularly, I figured I would share, in installments, a rough translation of an interesting Tibetan text I came across recently. The text is by Dza Patrül Rinpoche (1808 – 1887 – Patrül has become the quasi-standard English phoneticization, but it could just as well be Peltrül), a prominent scholar-practitioner of the Nyingma school of Tibetan Buddhism, who is perhaps best known today for his extensive commentary on the ngöndro, i.e. the foundational, preliminary practices of the Longchen Nyingthig system, called ཀུན་བཟང་བླ་མའི་ཞལ་ལུང་ Künzang Lamé Zhelung, ‘The Direct Oral Instructions of the Guru who is one and the same as Samantabhadra’, better-known as ‘Words of My Perfect Teacher’. The text I’d like to share here is, also included in Patrül Rinpoche’s collected works and is titled བདུད་ཀྱི་རྒྱུ་བརྟགས་ཏེ་སྤོང་ཚུལ་གྱི་མན་ངག་བདུད་ལས་རྣམ་རྒྱལ་ ‘Complete Victory over Mara: Pith Instructions on how to Diagnose the Causes of Mara or Obstructing Demons and the Methods for Avoiding Them’. I cited the final paragraph from this ‘Complete Victory over Mara’ text in a recent interview I did with Steve James on the Guru Viking podcast on the Tibetan concept of gek or obstacles which arise in the course of meditation and spiritual practice. As it happens, the text is not an original composition, but as Patrül explains in the colophon, is his reworking of a chapter by the same name found in ‘The Heap of Precious Pith Oral Instructions’ མན་ངག་རིན་ཆེན་སྤུངས་པ་ Mengngak Rinchen Pungpa, a treatise by the influential Tibetan Kadampa master Chegompa, who was born in 1130. Patrül Rinpoche notes that he has summarized the original chapter, has edited its wording slightly, in order to rework it into ‘notes’ or a more bulleted form (ཟིན་ཐུན་དུ་སྤེལ་བ་). This is very kind of him, since it makes the key points of Chegompa’s chapter easier for students like us to access, study, and memorize. Since there’s so much of interest in the text, I’d like to share it in its entirety here, with a few personal reflections along the way.

Continue reading →

Alien Gurus and The Mother of the Soul: On the Etymology of the Tibetan Word Lama and Why More Occultists Should Learn to read Tibetan

I’ve written about LAM, the according-to-some extraterrestrial entity which English ritual magician Aleister Crowley is supposed to have contacted, in an earlier article about ‘Tibetan aliens’ which I shared on this blog before. The term LAM is synonymous with a specific drawing which Crowley produced, and which some occultists say is a portrait of a specific spiritual/alien entity. Now, occultists have many different opinions about who or what LAM is or was, about whether this picture is even a picture of an entity at all, and about the extent to which whatever entity or spiritual principle the image may represent is important or interesting. Some claim the image of LAM is Crowley’s spiritual self-portrait, others that it is a picture of Crowley’s Guru or Holy Guardian Angel. Some say it a portrait of Lao Tzu or another Taoist sage, of a disincarnate Tibetan lama, or the likeness of some other sort of priest or sorcerer. Others argue it is a stylized representation of penis-in-vagina (ritual?) intercourse, while yet others claim that it is one of the earliest representations of the now stereotypical ‘grey alien’ extraterrestrial (this last position seems to have gone especially viral online in the late 90s and 2000s).

Continue reading →

Shut up and Recite! Naropa’s Pith Instruction on Mantra Practice

The Great Siddha Naropa, who is famously associated with Six ‘Dharmas’ or Completion Stage yogic disciplines.

Yesterday, the Naldjor Facebook page, a wonderful resource for texts and images related to Tibetan Tantric Buddhism and Yoga, shared a short text composed by Naropa, the famous Bengali Mahasiddha or ‘greatly accomplished’ Tantric saint who lived and taught in the 11th century (Naropa was famously put through great trails by his Guru Tilopa after he left his life as a monastic professor behind. For a brief summary of his life, see the Princeton Dictionary of Buddhism’s entry for him shared on Tsadra’s Buddha Nature Project page, which is incidentally where I also got the above image from. The text in question has to do with mantra recitation and it is a mengngak མན་ངག་ or upadesha in Sanskrit – that is, a text of ‘pith, oral instructions’. Mengngak are usually related to meditation, medicine, or ritual practice and in this text Naropa gives a list of twenty-one do’s and don’ts regarding mantra practice for practitioners who want to cultivate ngak ki nüpa, སྔགས་ཀྱི་ནུས་པ་, i.e. ‘mantric efficacy’ or ‘power’. The Naldjor page administrator requested that English translations of the text be shared, so I thought I would offer one here. Naropa’s text was also one of the many sources Dr Nida Chenagtsang drew on when writing his Tibetan-language book on mantra healing and some of Naropa’s instructions appear in Dr Nida’s own ‘do’s and dont’s’ chapter from the book (see here for my rough translation). Dr Nida also often refers to points from Naropa’s text in his classes, so I thought it would be useful to share a full translation, along with some brief commentary. I will give the full text and translation below, followed by a few explanations about terminology and translation choices. I have put asterisks alongside the points which have variant renderings or interpretations.

Continue reading →

No More Metaphors: Milarepa’s Teaching to a Ngakpa about the Magic of True Siddhas

A statue of Milarepa, in his characteristic green colour, from Helambu, Nepal, and Wikipedia.

I was recently reading through Tsangnyön Heruka’s 15th century (1488 to be exact) biography of the celebrated 11th century Tibetan yogi and cultural hero Milarepa. Tsangnyön Heruka – the ‘crazy tantric yogi from Tsang’ (1452 – 1507) – reorganized and codified Milarepa’s biography from various sources, and separated this out from Milarepa’s མགུར་འབུམ་ gurbum or compendium of spiritual teaching songs. Gur is a Buddhist/tantric textual genre for which Milarepa is most famous, and refers to songs or poems which accomplished spiritual adepts are said to compose on the spot to convey in musical and poetic form key spiritual truths for audiences.

While perusing Tsangnyön Heruka’s collection of Milarepa’s songs I came across a narrative which he calls སྔགས་པའི་ཞུས་ལན་གྱི་སྐོར་ ‘Concerning Questions-and-Answers with a Ngakpa’. Readers here will probably know that my doctoral research as a cultural anthropologist was focused on Tibetan Buddhist ngakpa, or non-celibate, non-monastic tantric householders and sorcerers. I find Milarepa’s exchange with this unnamed ngakpa quite beautiful and interesting, so I thought I would share my own translation of it here. Garma C.C. Chang translated this song into English in the 60s in his ‘The Hundred Thousand Songs of Milarepa’ (Vol. 2). I’ve reproduced his translation at the end of this post. While it has many lovely qualities, I feel that it doesn’t quite capture the thrust of some of Milarepa’s responses, which I’d like draw out more here. The gist of the short narrative is that an unnamed ngakpa from དབུས་ཕྱོགས་ Üchok, Wüchok, the region of Central Tibet, comes one day to have an audience with Milarepa. Milarepa’s yogi disciple Seban Repa asks this ngakpa what type of གྲུབ་ཐོབ་ druptop or siddhas there are where he’s from. Siddhas – literally ‘spiritually accomplished ones’, people with spiritual attainments – are yogis who have achieved various spiritual powers, ranging from mastery of psychic and healing abilities, magical powers, to meditative attainment and complete Buddhahood. Seban Repa’s opening salvo is effectively, ‘How powerful/realized are your yogis and sorcerers back home, yogi-sorcerer?’ The visiting ngakpa explains that the siddhas in his region are of such calibre that they are served or waited upon by non-human beings. It is at this point that Milarepa chimes in with a provocation:

Continue reading →

On Interactions with Spirits in Tibetan Buddhism: New Interview on the Guru Viking Podcast

A 19th century Tibetan tangka or religious painting depicting Nyenchen Tanglha, an important Tibetan territorial protector deity associated with the sacred mountain range of the same name

A quick note to say I have a new interview up on the Guru Viking Podcast, hosted by Steve James. This one is supposed to be the first of three chats focusing on human-spirit interactions and relationships in different esoteric or magical traditions. Here’s some links, and a list of topics we touched on, as prepared by Steve for the time stamps. Let me know what you think!

Continue reading →

Guru Viking Interview on Sexual Yoga, Dakinis, and Queer Tantra

yeshe tsogyal

The great Khandro, Dakini or Yogini of Tibet, the princess who became a Buddha Yeshe Tsogyal

(This particular image of Yeshe Tsogyal is from a specific practice involving the Khandro that was revealed by the 17th century Tibetan treasure-revealer Tagsham Nuden Dorje who is said to have been a reincarnation of Yeshe Tsogyal’s sexual yoga partner Atsara Salé. The lineage for this practice is held by Namkha Drimed Rinpoche, see here for more information. See here as well for more on this blog regarding Yeshe Tsogyal’s life and exploits)

Hi, friends!

Here’s the information regarding a further podcast I recently did with Steve James of the Guru Viking podcast, as part of a series of interviews connected with my PhD dissertation on Tibetan tantric Buddhist non-monastic, non-celibate yogis and yoginis. In this interview, Steve quizzed me a little about some issues connected with gender and sexuality in Tibetan tantric Buddhism. I am hardly an expert in (or the best person to be mouthing off about!) the experiences of women in Vajrayana, but I hope that some of what we discussed here will be of use and interest.

Here’s Steve’s list of the topics we talked about along with the relevant links:

Continue reading →

Second Guru Viking Interview on Ngakpa: Definitions, Vows, and Tantric ‘Magic’

File:Guru padmasambhava statue.jpg - Wikimedia Commons

(A photo from the building of the statue of Guru Rinpoche, the ‘original ngakpa’, on Samdruptse hill in Namchi, Sikkim. The statue is 135 feet tall and is said to be the largest statue of Guru Rinpoche currently in existence. More here)

Just a quick post to let everyone know that my second interview with Steve James of the ‘Guru Viking’ podcast is now up. In this one I talked (as usual, a lot), about definitions of ngakpa (sngags pa, སྔགས་པ), or Tibetan Buddhist tantric yogi householders, and their social roles. We also skimmed the surface of the broad lake of the topic of samaya or tantric vows, ngakpas’ hair, clothing and comportment, and the siddhi, or the spiritual acommplishments or powers that are thought to come from their dedicated practice of tantric yogic disciplines.

Here’s Steve’s breakdown of the episode, along with the YouTube video, and a link to the various places the interview can be found:
Continue reading →