Second Guru Viking Interview on Ngakpa: Definitions, Vows, and Tantric ‘Magic’

File:Guru padmasambhava statue.jpg - Wikimedia Commons

(A photo from the building of the statue of Guru Rinpoche, the ‘original ngakpa’, on Samdruptse hill in Namchi, Sikkim. The statue is 135 feet tall and is said to be the largest statue of Guru Rinpoche currently in existence. More here)

Just a quick post to let everyone know that my second interview with Steve James of the ‘Guru Viking’ podcast is now up. In this one I talked (as usual, a lot), about definitions of ngakpa (sngags pa, སྔགས་པ), or Tibetan Buddhist tantric yogi householders, and their social roles. We also skimmed the surface of the broad lake of the topic of samaya or tantric vows, ngakpas’ hair, clothing and comportment, and the siddhi, or the spiritual acommplishments or powers that are thought to come from their dedicated practice of tantric yogic disciplines.

Here’s Steve’s breakdown of the episode, along with the YouTube video, and a link to the various places the interview can be found:
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Tantra and Transparency, or Cultural Contradictions and Today’s Tibetan Buddhist Wizard

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Here’s my second piece for Savage Minds, and the first of the four-part guest-blogger series I did during October last year.

This essay offers a brief overview of my current dissertation research project on ngakpa and ngakpa lineages in exile and outside of Tibet. I tried to make this piece a useful summary of some of the dimensions of ngakpa/ma histories, orientations, practices, and lineages that I thought were of interest, especially for an anthropological audience perhaps less familiar with Tibetan societies and Vajrayana. Continue reading

Justin Bieber, Heroic Man-buns and the Relative Meaning (and Meaninglessness) of Dreadlocks

Dreadlocks post

Debates about hairstyles, fashion, identity and culture have been in the news in the last few days. After posting pictures of his new blond dreadlocks, pop star Justin Bieber was roundly criticized for cultural appropriation – for capitalizing on a cultural aesthetic that in the US is historically associated with black histories, identities, and struggles. Commentators noted that while people/celebrities of colour in the US have been routinely criminalized or villianized for sporting a hairstyle connected to their history and experiences as minorities, when Bieber as a white person casually took on this style as his own it came with none of the meaning, and context, and also none of the backlash. Continue reading