A month or two ago I did an interview with Matthew O’Connell for his ‘Imperfect Buddha’ podcast, where I talked about doing research on Western esotericism as an anthropologist and scholar-practitioner, and about some of the more ‘fringe’ dimensions of global Tibetan Buddhism today. I ended up talking a lot about myself and not that much about the specific details of my research, and Matthew barely got a word in edgeways, but it is what it is. Many of the posts and articles on this blog get a mention. I no doubt said a lot of things that would benefit from further qualification and which I would probably take issue with if I heard myself saying them now. The thought of listening to my voice drone on for that long curdles my juices and fills me with acute horror though, so I’m can’t be sure – you’ll just have to listen to the interview yourselves and tell me how it makes you feel instead.
Shout out to Matt for arranging things, and thinking I was interesting enough to have on the show. Let me know what you think!
Recently, Brian St. Claire-King, the Creative Director of Vajra Enterprises and creator of Tibet: The Role Playing Game sent me a response to my essay on this blog about his game, and he was kind enough to let me share it with readers. Brian has honoured me with some very thorough and thoughtful comments on my post. I’m glad he responded – I made it very clear to him that what moved me to write the piece in the first place was the extent to which he achieved what struck me as a remarkable level of feasibility in his representations of Tibetan life. I was amazed to discover his work, and at least a few Tibetans who read my article have let me know that they were fascinated to see it too.
In his letter below, Brian answers some of the questions I pose in the article, and points out some areas worth elaborating on or exploring further. He expands persuasively on gaming’s power to engender empathy, and echoes eloquently some of my own thinking on the parallels between anthropological and gaming ‘pedagogies’ (I especially love the idea he mentions of gamers using RPG resources to get into the headspace of the very same Christian moral crusader ‘enemies’ who sought to oppose their activities). Continue reading →
A friend of mine recently alerted me to the existence of a new TV show that is a spin-off from CBS’ popular crime-procedural series Criminal Minds. Criminal Minds: Beyond Borders, which kicked off in March this year, presents us with the amazingly un-ironic spectacle of a Criminal Minds-style team of American profilers and crime experts gone global. This diverse (yet still deeply patriot) team is headed by series veteran Gary Sinise/Jack Garrett, and even has its own fucking jet, by means of which it flies, Team America-style around the world to save US citizens who’ve been so stupid as to actually travel outside of their own country. Continue reading →
“It’s not you…I just don’t think our pineal glands are in the same place right now.”#NewAgeDatingProblems
A while back, I was kinda bored and for reasons I still don’t fully understand, I made this meme. I thought it came out quite well.
I was just going to post this meme here, but then it got me thinking. Jokes aside, I find the idea of doing something like ‘de-calcifying your pineal gland’ quite fascinating. The concept is one of a panoply of New Age lifestyle/purificatory options, which rely at least in part on a veneer of scienc-i-ness for their legitimacy. Continue reading →
This most recent essay of mine on Savage Minds also took place as part of a running conversation with popular media and representations. I think that it does a decent job of re-iterating and extending some of the ideas that came up in the Tibetan aliens and singing bowl essays about the sometimes bewildering cross-fertilizations between Indo-Tibetan esotericisms, Western occultism, and popular culture.
Showtime’s Penny Dreadful is by no means a perfect show, but it’s a lot better than some of the other schlock available in the cable representations of the occult department. Writer John Logan’s gothickiest of gothicky Victorian dramas is definitely one of the more thoughtful and visually arresting representations of witchcraft and occultism on TV (laptops, mobile phones) today, Continue reading →